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Joshua Williamson’s Duke and Cobra Commander were made for grown-up Gen X’ers who were shaped by the G.I. Joe cartoons from the ’80s.
Daniel Warren Johnson’s Transformers series is a welcome breath of fresh air that got me hooked in the way only monthly comics can.
Rafael Grampa art elevates Batman: Gargoyle of Gotham to a level befitting DC Black Label, but it lags in other respects.
Where the Body Was feels like an almost straight-up character study drama that is approachable for both comic readers and non-comic readers.
‘Latah’ blends the psychological trauma of ‘Platoon’ with elements of ‘Predator’ to create a good, albeit clichéd and predictable comic book story.
Selina Kyle and Bruce Wayne finally marry in Batman/Catwoman #12, but it’s far from happily ever after with Joker around, and death looming.
John Byrne has such an unerring knack for the absurdity of classic Star Trek that even when his storytelling is not up to his usual awesome, it’s still better than almost anything else out there.
DC Comics’ Detective Comics #1000 is a great issue. You get a lot of Batman stories and the pin ups are lovely to look at as well as the overall art.
Tap Dance Killer by Ted Sikora and Nikolaus Harrison is shaping up to be a fantastic series by a great writer with a brilliant art team.