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A gluttonous form of luxury that’s deadly and intoxicating as much as it is orgasmically gratifying, Saltburn is disgustingly mesmerizing.
Presenting a predictable story that lacks any memorable kills, It’s a Wonderful Knife is no more than a forgettable holiday slasher.
Keeping the majority of the anxiety inducing chills from the games it stems from, Five Nights at Freddy’s delivers a solid movie experience.
With a terrifyingly claustrophobic atmosphere and riveting performances, You’ll Never Find Me is a masterpiece of suspense.
The Creator has astonishing visuals, but that’s where its charm ends. While the performances are strong, the thrilling elements of the film swap actual excitement for a more traditional science fiction film that pays tribute to its influences and little more.
A flesh-driven and monochrome chunk of thrust-thirsty nonsense, Divinity doesn’t offer audiences anything worthwhile.
Director Macon Blair has revitalized The Toxic Avenger with a reboot that is every bit as entertaining as the original series of films.
Inspector Sun and the Curse of the Black Widow is a film that offers an unfunny and unoriginal glimpse into the world of insect sleuthing.
With ending that is just as irrelevant as the rest of the film, Lovely, Dark, and Deep gives viewers a totally meaningless horror experience.
While Blackout doesn’t reinvent the horror genre, it is a competent werewolf film that puts meaning behind the bloodbath.