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Robert Pattinson doesn’t sparkle in The Batman and that is a good thing. He turns the page to a moodier brooding with worse family issues.
With its warm, pleasantly distressed vintage imagery, accessible characters, and even some traditional hand-drawn animation and 1960s-inspired music thrown in for good measure, The Hyperions is out to create movie magic.
Uncharted is a gold mine filled with disappointment. It has extraordinary source material that is squandered, soured, and spit on throughout the course of this lackluster film.
Shut In is definitely worth a watch. It manages to expand the narrative space of the psychological thriller genre without falling victim to its stereotypical trappings. The performances are excellent, with Rainey Qualley stealing the show as a believable young mom, and a recovering addict stumbling her way back into the light.
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from K.C. Houseman’s house cat being named Fuzz Aldrin
The King’s Man is a prequel that lacks what made the original film and its sequel so entertaining. Its second half is somewhat worthwhile, but its painfully slow war of handlebar mustaches makes it a real chore just to reach that goat infested free fall of a final explosive mountaintop fight.
The Matrix Resurrections is a complete mixed bag, as there’s nothing quite like it, despite how it doesn’t really break any new ground.
Spider-Man: No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Nightmare Alley is expertly crafted in a way that every sequence feels relevant later on and it leaves you with a lot to ponder after it ends.
Reportedly based on the director’s own experiences, Belfast is a modest Oscar-template release from Kenneth Branagh.