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Reportedly based on the director’s own experiences, Belfast is a modest Oscar-template release from Kenneth Branagh.
With a good cast and some new touches that respect the original, Ghostbusters: Afterlife puts the spirit back into this series.
Red Notice brings a lot of elements to the table, especially ones associated with its stars, but you’ve seen it all before.
Marvel’s Eternals is an ugly looking film featuring relatively light action and a cast that is collaboratively horrendous.
Antlers is a wickedly gruesome body horror film that is both wonderfully devastating and unapologetically fear inducing.
Edgar Wright’s new picture, Last Night in Soho, doesn’t have a funny bone in its body, instead seeking to amaze you with nostalgic scares.
Our Dune review tells you what’s good and great about this new adaptation without giving away too much of the spoilery stuff.
Halloween Kills certainly does what it suggests, but falls short when trying to be true to its inspiration.
Venom: Let There Be Carnage ultimately feels like the lobster scene from the original film stretched out across 90-minutes of absurdity.
No Time to Die has some really fantastic cinematography and Ana de Armas is superb for the short amount of time she’s around, but the 25th James Bond film overall is painfully formulaic, predictable, and corny.