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Our review explains why Hundreds of Beavers is the wacked out kind of shoestring DIY independent film you’ve been waiting for.
Despite a few interesting ideas, DrwamWorks’ Orion and the Dark is an animated film that is barely worth the time of day.
Inspector Sun and the Curse of the Black Widow is a film that offers an unfunny and unoriginal glimpse into the world of insect sleuthing.
The Primevals may be able to scratch that itch for stop-motion animation, but its painfully ’90s production may be a hard pill to swallow.
Mother Land is a beautiful handcrafted fantasy which overflows with intricate details and bursting with color.
Deep Sea is the best animated film of the year that most won’t see or even know about, but one that deserves every bit of praise it gets.
The Amazing Maurice has animation that may not be appealing to Pixar or Dreamworks enthusiasts. It’s an animated film with a ton of missteps, but manages to land on all four feet when the dust clears.
We list the top original movies from Disney’s Pixar, including Toy Story, The Incredibles, Wall-E, Soul, Cars and more.
Netflix’s The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Disney’s latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.