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In the review of Blumhouse’s new thriller Imaginary, our writer Dante wonders how this company didn’t come up with a more imaginative plot.
Did Night Swim, the new horror release from Blumhouse and James Wan, sink or manage to tread water? Find our in our review.
Ryan Gosling is out and newcomer Christopher Abbott is in as the star of the next Wolf Man movie from Blumhouse.
Jason Blum wants the gestating but dubious Spawn movie to have that Blumhouse charm, which means edgy compared to everything else.
‘Halloween Ends’ may not stick the landing as a satisfying conclusion to the tale of Michael Meyers, but it’s not as loathsome as some claim.
Kevin Bacon returns to camp as his new Blumhouse slasher film about queer and nonbinary teens, They/Them, gets a Peacock release date.
Halloween Kills certainly does what it suggests, but falls short when trying to be true to its inspiration.
Halloween Kills producer Ryan Friemann has given an interesting reason as to why we won’t see Michael Myers square off with Jason or Freddy.
Black Christmas, woke as it is, does what Sophia Takal set out to, capture how she felt watching the 1974 film from her perspective.
Black Christmas director Sophia Takal says her remake is “fiercely feminist” and reflects misogyny never being “totally eradicable.”