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While Blackout doesn’t reinvent the horror genre, it is a competent werewolf film that puts meaning behind the bloodbath.
New Life can be an anxiety inducing ride due to its intensity and the outstandingly devastating performances of its cast.
Meg 2: The Trench ups the shark ante while adding even more monsters and bringing in greater leaps in logic. It’s good old dumb fun.
The Primevals may be able to scratch that itch for stop-motion animation, but its painfully ’90s production may be a hard pill to swallow.
Killing Romance is the craziest musical romantic comedy revolving around murder and ostriches. As nonsensically brilliant as they come.
River has the guests of an inn stuck in a time loop, making for an amusing movie that is brilliantly written and beautifully filmed.
Does Batman: The Doom That Came to Gotham deliver on enough doom and gloom to justify watching? Find out in our review.
Greta Gerwig’s Barbie movie is the most ludicrous, pinkest, and most significant film about toys possibly ever.
Even though the film has a fair share of chuckle worthy moments, Asteroid City shamelessly rolls around in its eccentricities and unapologetic blundering demeanor with no real depth or character development whatsoever.
The main story of The Flash regarding time travel and how it all plays out is solid even if everyone, including the audience, knows it’s the dumbest thing in the world to do. But the film is overwhelmingly goofy and the jokes never land properly.