With its warm, pleasantly distressed vintage imagery, accessible characters, and even some traditional hand-drawn animation and 1960s-inspired music thrown in…
Uncharted is a gold mine filled with disappointment. It has extraordinary source material that is squandered, soured, and spit on…
Shut In is definitely worth a watch. It manages to expand the narrative space of the psychological thriller genre without…
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to…
The King’s Man is a prequel that lacks what made the original film and its sequel so entertaining. Its second…
The Matrix Resurrections is a complete mixed bag, as there's nothing quite like it, despite how it doesn't really break any…
Spider-Man: No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the…
Nightmare Alley is expertly crafted in a way that every sequence feels relevant later on and it leaves you with…
Reportedly based on the director's own experiences, Belfast is a modest Oscar-template release from Kenneth Branagh.
With a good cast and some new touches that respect the original, Ghostbusters: Afterlife puts the spirit back into this…
Red Notice brings a lot of elements to the table, especially ones associated with its stars, but you've seen it…
Marvel's Eternals is an ugly looking film featuring relatively light action and a cast that is collaboratively horrendous.
Antlers is a wickedly gruesome body horror film that is both wonderfully devastating and unapologetically fear inducing.
Edgar Wright's new picture, Last Night in Soho, doesn't have a funny bone in its body, instead seeking to amaze…
Our Dune review tells you what's good and great about this new adaptation without giving away too much of the…
Halloween Kills certainly does what it suggests, but falls short when trying to be true to its inspiration.
No Time to Die has some really fantastic cinematography and Ana de Armas is superb for the short amount of…
Kate thrusts Mary Elizabeth Winstead into a flat cinematic world filled with nothing but dull predictability and boring fight scenes.
