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The Suicide Squad is a serviceable effort that, while enjoyable enough, does not live up to the hype surrounding it.
Black Widow attempts to mix espionage with Marvel's standard superhero fanfare only to end up falling short of expectations in…
A horror-comedy 'whodunit' based on Ubisoft's game of the same name, the potential of Werewolves Within is far greater than…
A half-hearted message on immigration and a lack of creativity leave The Forever Purge as one of the more lackluster…
A Quiet Place II is an exceptionally entertaining sequel with quality performances and a primary focus on monster mayhem.
With its sloppy storytelling and overall decimation of the protagonist’s maliciousness, Cruella is a shaggy, unkempt dog of a film.
Netflix's The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Warner Bros.' latest cinematic Mortal Kombat outing is better than being impaled by Scorpion's grappling hook, but not by much.
Godzilla vs. Kong is a film that belongs to the latter legend and is a treat for everyone who's waited,…
Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew…
Zack Snyder’s version of Justice League feels like too much of a good thing. He has creative control here, but…
Disney's latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.
Denzel Washington's new neo-noir thriller The Little Things looks good, but ultimately doesn't care about the minute details.
A Glitch In The Matirx, the new documentary from Rodney Ascher, explores the concept of and belief in simulation theory.
Rose Glass' Saint Maud delivers a psychologically satisfying and creepy cinematic experience centered on religion and death.