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Kate thrusts Mary Elizabeth Winstead into a flat cinematic world filled with nothing but dull predictability and boring fight scenes.
While the Ryan Reynolds-led, video game-inspired Free Guy has an amazing concept, its execution is extremely underwhelming.
A horror-comedy 'whodunit' based on Ubisoft's game of the same name, the potential of Werewolves Within is far greater than…
A half-hearted message on immigration and a lack of creativity leave The Forever Purge as one of the more lackluster…
A Quiet Place II is an exceptionally entertaining sequel with quality performances and a primary focus on monster mayhem.
Netflix's The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew…
Disney's latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.
Rose Glass' Saint Maud delivers a psychologically satisfying and creepy cinematic experience centered on religion and death.
Does Earwig and the Witch, Studio Ghibli's first foray into CGI film making, capture the studio's signature magic?