‘Across The Spider-Verse’ Directors Reveal Sequel’s Story Is “A Commentary On The Fans Who Don’t See Miles” As Spider-Man

Miles Morales (Shamiek Moore) enjoys a snack while confronting The Spot (Jason Schwartzman) in Spider-Man: Across the Spider-Verse (2023), Sony Animation
Miles Morales (Shamiek Moore) enjoys a snack while confronting The Spot (Jason Schwartzman) in Spider-Man: Across the Spider-Verse (2023), Sony Animation

Apparently unable to accept that Miles Morales’ inability to fully endear himself to long-time comic book fans is based on Marvel’s mishandling of his character rather than any inherent bigotry or inability to accept the concept of a ‘Spider-successor’, the directorial team behind Spider-Man: Across the Spider-Verse have revealed that the film’s core story is “a commentary” on the very readers who decline to acknowledge the fledgling hero as a ‘real’ Spider-Man.

Miles Morales (Shamiek Moore) takes on The Spot (Jason Schwartzman) in Spider-Man: Across the Spider-Verse (2023), Sony Pictures

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The trio of Joaquim Dos Santos (Justice League Unlimited), Kemp Powers (Pixar’s Soul), and Justin K. Thompson (making his directing debut after having served as a production designer on Into the Spider-Verse) provided this insight into Miles’ latest cinematic adventure during a recent interview given to YouTuber Johnny 2 Cellos on behalf of the Nerdist.

Asked by Johnny if “any degree of that story that was meant to be a sort of commentary on the fans who don’t see Miles as-“, the trio interrupted him before he could say ‘Spider-Man’ with a resounding chorus of “Yes. Absolutely. Yeah. 100%.”

“I mean the idea of like canon and rule and who gets to be [Spider-Man],” explained Thompson and Powers.

Ben Reilly (Andy Samberg) makes his cinematic debut in Spider-Man: Across The Spider-Verse (2023), Sony Pictures

“Spider-Man, you know, is definitely, like, a character that is owned by the audience,” Thompson continued. “But some of that audience, like, takes it so seriously and is trying to enforce and restrict.”

“I remember when Miles Morales’ first comic book came out,” he then recalled. ‘There are people who were rejecting Miles as a character. You know, for their reasons.”

Miles Morales makes his debut in Ultimate Fallout Vol. 1 #4 "Spider-Man No More (Part IV)" (2011), Marvel Comics. Words by Brian Michael Bendis, art by Sara Pichelli, Justin Ponsor, and Cory Petit.

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“[That’s] not how we think it should be,” the director asserted. We wanted to talk directly to that almost stick it to that mentality [and really reinforce the message] of ‘No. anyone can wear the mask.’

“And if Spider-Man is a character that is owned by the entire world,” Thompson concluded, “The entire world should be represented in that character.”

A young fan loses faith in Miles Morales in Spider-Man: Across the Spider-Verse (2023), Sony Animation

As noted above, while there are undoubtedly some fans who will never accept Miles for whatever reasons – and yes, admittedly and unfortunately, there are detractors whose rejection will be motivated by genuine bigotry – for most, it is the fact that Marvel is unable to give him an identity outside of ‘the secondary Spider-Man’ which leaves them disinterested in his character.

Outside of the Spider-Verse films – and an actually sensible exploration of his role as a successor to an aging Peter’s in Spider-Man: Life Story – the company has no idea what to do with Miles’ character.

Peter Parker makes a discovery about Miles Morales in Spider-Man: Life Story Vol. 1 $6 "All My Enemies" (2019), Marvel Comics. Words by Chip Zdarsky, art by Mark Bagley, Andrew Hennessy, Frank D'Armata, and Travis Lanham.

Just look at how, from nearly the moment of his inception, nearly everything about Miles has been a ‘hand me down’ from Peter Parker. From his origins, to his villains, to his storylines (he even got his own Clone Saga!), everything associated with his character is just a retread of his namesake’s story – so much so that this fact makes up the entire plot of Across the Spider-Verse.

Ultimately, this makes it it hard for readers to care about him as an individual character.

And Miles can’t even escape the company’s lack of creativity in other mediums, as not only has the Across the Spider-Verse film set him up with one of Peter’s old love interests, but his main antagonist in Insomniac Games’ Marvel’s Spider-Man: Miles Morales was also nothing more than race-swapped version of his predecessor’s longtime foe, The Tinkerer.

The Tinkerer (Jasmin Savoy Brown) has Miles Morales (Nadji Jeter) at her mercy in Marvel's Spider-Man: Miles Morales (2020), Insomniac Games

However, perhaps the strongest proof that Marvel is at a loss for how to use Miles is the fact that, in the comics, he is continually being given more and more ‘deus ex machina’-level powers.

Lightning swords, electric ‘kamehamehas’, webs – in recent years, whenever the young hero is up against any sort of challenge, Marvel just solves it by expanding his already broken ‘bio-electric’ power set.

Miles Morales inexplicably gets a new power in Spider-Man: Miles Morales Vol. 2 #5 "Trial by Spider - Part Five" (2023), Marvel Comics. Words by Cody Ziglar, art by Federico Vicentini, Bryan Valenza, and Cory Petit.

And while Marvel will never admit it, one suspects that the reason Miles’ stories tend to follow the same pattern of ‘new challenge, new power’ rather than any real narrative is because no one has been brave enough to actually treat him as anything more than a marketing prop.

Beyond the Spider-Verse is currently set to further shatter the multiverse on March 29th, 2024.

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