All Articles
Onward isn’t a bad animated film since it’s fairly cute and charming and entertaining for all ages, but it’s lacking that emotional wallop that Up provided in its dialogue-absent and heartbreaking opening or what WALL-E accomplished simply by saying, “WALL-E,” and, “EVE.”
The Invisible Man is not only the first exceptionally good horror film of 2020, but also the first film of the year that is a must-see in the theater.
Fantasy Island is ridiculous and trashy to the point that it feels like a soap opera. Is it done in jest as a tongue-in-cheek reference to its source material or is it trying to be a serious horror movie?
Sonic the Hedgehog is fun for all ages and deserves to go in the lonely category of good video game movies. Don’t let it whiz by you at theaters.
Empty seats, sagging tickets, wokeness, and mixed buzz are giving Birds of Prey and Harley Quinn a bad rap that doesn’t reflect the product.
Wearing rose colored horror genre glasses, Come To Daddy has a certain amount of charm. It’s a story that goes in one direction and by the third act goes in a totally different one ala Pulp Fiction.
Rhythm Section opening this weekend and starring Blake Lively has a dumb movie title. There isn’t anything here about drums and music except maybe a beating heart. Nonetheless, the film is way better than mainstream critics are giving it credit for.
Wonder Woman: Bloodlines is streaming now on the DC Universe service, should you check it out?
Guy Ritchie’s talent for creating tangled webs of story with dynamic characters is attested with “The Gentlemen.”
I’ve got two words that describe Dolittle: “Mindless” and “Numbing.” That’s how I felt leaving the theater amongst quiet kids who didn’t seem to love it.