Alan Moore Officially Disowns Damon Lindelof’s ‘Watchmen’ Miniseries For HBO: “It’s Embarrassing To Me”

Source: Watchmen (2019), Warner Bros. Pictures - "Alan Moore - Words Per Panel Rule For Comics - Storytelling" via BBC Maestro, YouTube

The Watchmen miniseries that served as a sequel to the graphic novel and aired on HBO has met its harshest critic. To no one’s surprise, it is creator Alan Moore himself who disapproved of the adaptation and openly disowns it.

Source: Alan Moore – Creating An Authentic Character – Storytelling, BBC Maestro YouTube

RELATED: ‘Watchmen’ Creator Alan Moore Says Adults Who Enjoy Super Hero Media Are Engaging In A “Kind Of Infantilisation That Can Very Often Be A Precursor To Fascism”

Moore went into detail in an interview with GQ Magazine about a letter he received from the miniseries showrunner Damon Lindelof. “Dear Mr. Moore, I am one of the bastards currently destroying ‘Watchmen,’” it opened.

“That wasn’t the best opener,” Moore said. “It went on through a lot of, what seemed to me to be, neurotic rambling. ‘Can you at least tell us how to pronounce ‘Ozymandias’?”

Source: Watchmen (2009), Warner Bros. Pictures

The writer went on to admit his response might have been hostile but it was emphatic that he didn’t want to be contacted. “I got back with a very abrupt and probably hostile reply telling him that I’d thought that Warner Bros. [was] aware that they, nor any of their employees, shouldn’t contact me again for any reason,” Moore added.

He would reiterate his request while also calling the show embarrassing. “I explained that I had disowned the work in question, and partly that was because the film industry and the comics industry seemed to have created things that had nothing to do with my work, but which would be associated with it in the public mind,” he said.

Source: Watchmen #12

RELATED: Alan Moore: Superhero Movies Infantilized and “Blighted Culture”

“I said, ‘Look, this is embarrassing to me,” Moore would continue. “’I don’t want anything to do with you or your show. Please don’t bother me again.’”

Lindelof’s Watchmen went on to be a hit with critics and at the Emmys, where the star Regina King won big, but Moore didn’t see the appeal. “When I saw the television industry awards that the ‘Watchmen’ television show had apparently won, I thought, ‘Oh, god, perhaps a large part of the public, this is what they think ‘Watchmen’ was?’” he pondered.

Source: Watchmen (2009), Warner Bros.

“They think that it was a dark, gritty, dystopian superhero franchise that was something to do with white supremacism,” he continued. “‘Watchmen’ was nearly 40 years ago and was relatively simple in comparison with a lot of my later work. What are the chances that they broadly understood anything since? This tends to make me feel less than fond of those works. They mean a bit less in my heart.”

As such, Moore has never seen either HBO’s Watchmen or Zack Snyder’s adaptation of the graphic novel. Likewise, he is notoriously adamant about not watching any adaptation of his tales. “I would be the last person to want to sit through any adaptations of my work. From what I’ve heard of them, it would be enormously punishing. It would be torturous, and for no very good reason,” he explained.

Source: Watchmen #12 “A Strong and Loving World” (1987), DC Comics. Words by Alan Moore, art by Dave Gibbons and John Higgins.

Watchmen, both the HBO miniseries produced by Damon Lindelof and the film directed by Snyder, are currently available on HBO Max.

NEXT: Letterer Jim Campbell Blasts DC Comics and Tom King for Watchmen Spin-off Series Rorschach

Mentioned This Article:

More About: