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With its sloppy storytelling and overall decimation of the protagonist’s maliciousness, Cruella is a shaggy, unkempt dog of a film.
Netflix's The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew…
Zack Snyder’s version of Justice League feels like too much of a good thing. He has creative control here, but…
Disney's latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.
Rose Glass' Saint Maud delivers a psychologically satisfying and creepy cinematic experience centered on religion and death.
Does Earwig and the Witch, Studio Ghibli's first foray into CGI film making, capture the studio's signature magic?
From Steven Kostanski, writer and director of Manborg, The Void, and the incredible 5-minute short Bio-Cop, Psycho Goreman (also known…
Soul is Pixar's latest film, but are the jazz-fueled afterlife escapades of Joe Gardener worth the price of Disney Plus…
Freaky, created by Happy Death Day's Christopher Landon and starring Vince Vaughn, presents a horror-themed spin on the Freaky Friday…