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Troll, the new kaiju picture from Netflix, has some fans excited but don’t expect anything that reinvents the wheel.
Puss in Boots: The Last Wish is stylish and fun with sleek animation, a thrillingly adventurous story, off-the-wall humor, and fantastic writing that is penned in a way that rejuvenates what was thought to be a dead CGI animated franchise.
State-of-the-art special effects, revolutionary underwater cameras, and the resurrection of what is otherwise a mostly forgotten movie theater format can’t hide the fact that Avatar: The Way of Water is basically the same movie as the original with more blue people (some are slightly green now!)
A fecal, anal honking, and vomit-infused tale revolving around orgy-driven slaphappiness and punchdrunk intoxication as the silent movie era disjointedly stumbled into sound and talkies. Channeling the likes of Michel Hazanavicius’ The Artist and Fear and Loathing in Las Vegas with a rhythmically chaotic boogie seemingly torn right out of Gasper Noe’s Climax, Babylon is an aggressive assault on the senses loosely thread together by cinematic evolution and dwindling fame.
Guillermo del Toro has crafted a darker yet equally more emotional version of Pinocchio. It is exquisitely and intricately animated with rich textures, gorgeous lighting, and mostly welcome character reinventions.
Christmas Bloody Christmas should not be missed if you’re looking for a new Christmas horror film that is essentially a yuletide slasher film where you root for a killer Santa cyborg as a bunch of horny 30-somethings are killed off to squeamish delight.
Violent Night overcomes its weak script and familiar concept with enough ooey gooey squelchy violence to appease bloodthirsty horror fans and action junkies alike.
‘Glass Onion’ is further proof that director Rian Johnson is not quite as clever as he thinks he is when it comes to subverting expectations.
Visually wondrous but spectacularly dull, Strange World has the entertainment value of a wet yet adventurous sponge.