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Greta Gerwig’s Barbie movie is the most ludicrous, pinkest, and most significant film about toys possibly ever.
Even though the film has a fair share of chuckle worthy moments, Asteroid City shamelessly rolls around in its eccentricities and unapologetic blundering demeanor with no real depth or character development whatsoever.
The main story of The Flash regarding time travel and how it all plays out is solid even if everyone, including the audience, knows it’s the dumbest thing in the world to do. But the film is overwhelmingly goofy and the jokes never land properly.
‘Sisu’ is an hour and a half slaughter fest loaded with despicable characters that you will actually enjoy seeing being ripped to pieces.
Nocebo has some clever explanations for things and a handful of blink-and-you’ll-miss-it dark fantasy sequences, it is mostly a mediocre thriller that is only worth seeking out for its unshakable finale.
The Amazing Maurice has animation that may not be appealing to Pixar or Dreamworks enthusiasts. It’s an animated film with a ton of missteps, but manages to land on all four feet when the dust clears.
Infinity Pool is an eccentric sci-fi horror filled with disturbing sex, crazy amounts of ultra-violence, and a sequence where Mia Goth breastfeeds Alexander Skarsgard. It’s super weird and obviously a different type of film that won’t appeal to the typical mainstream blockbuster crowd.
As Hollywood demands more gun control, Netflix wants you to watch ‘The Gray Man,’ a violent movie starring Ryan Gosling and Chris Evans.
Spider-Man: No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Nightmare Alley is expertly crafted in a way that every sequence feels relevant later on and it leaves you with a lot to ponder after it ends.