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With its sloppy storytelling and overall decimation of the protagonist’s maliciousness, Cruella is a shaggy, unkempt dog of a film.
Netflix’s The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Warner Bros.’ latest cinematic Mortal Kombat outing is better than being impaled by Scorpion’s grappling hook, but not by much.
Godzilla vs. Kong is a film that belongs to the latter legend and is a treat for everyone who’s waited, but it’s not without its issues.
Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew we needed.
Zack Snyder’s version of Justice League feels like too much of a good thing. He has creative control here, but its execution is this fan devoted emptiness with no real destination in mind. The superhero film is a slow three hour slog to its final fourth hour where all of its best and most entertaining action sequences lie.
Disney’s latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.
Denzel Washington’s new neo-noir thriller The Little Things looks good, but ultimately doesn’t care about the minute details.
A Glitch In The Matirx, the new documentary from Rodney Ascher, explores the concept of and belief in simulation theory.
Rose Glass’ Saint Maud delivers a psychologically satisfying and creepy cinematic experience centered on religion and death.