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Coming Soon as a Motion Picture in 2016! Richard Sullivan is an innocent man facing execution. As he witnesses savage […]
In Victorian-era London, a series of murders in which the victims are mutilated and burnt have led to rumours of […]
Superhero? Publicity stunt? Decoy? Doesn’t matter now because 9-year-old, low-flying Roger Beaman’s on the run, chased by a rabid “do-gooder” […]
The Aquans and Terans spent their existences blaming each other for their own faults, warring until there was only one Aquan, a male, and one Teran, a female. Together in love and desperation, they created Novo — a savior born to a world that no longer had use for one. Now trying to discover a history he will never be a part of, can the mystery of his past give him the clues to his future?
Having seemingly gained the upper hand over Spring-Heeled Jack, Doyle and Bell decide to confront him in his lair, deep under the streets of London. However our duo will find that they may have just made another mistake. One that might be their last. Does our duo have what it takes to stop The Terror of London once and for all? Find out in this thrilling conclusion to the series.
Alterna is proud to announce the upcoming release of CORKTOWN, a brand new three issue horror series coming in the spring of 2016 from Mario Candelaria (ASHES, ÉPILOGUE), Scott Ewen (THE SUNDAYS, LIGHTSHADE, FLIGHT OF THE LIVING DEAD), and David Ganjamie (ÉPILOGUE).
Richard Sullivan is an innocent man facing execution. As he witnesses savage killings at the hands of the prison’s sadistic Warden, Sullivan realizes that he must fight to survive. But with the violence and carnage mounting, Sullivan begins to lose his grip on reality. There are no zombies or vampires here – on death row, the only monster is man.
Thanks to some advice from the Alterna Comics Facebook team, we were able to track down Jeff McComsey, the creator […]
Mother Russia being the only work I’ve read from Jeff McComsey, I get the sense that the man has a unique way of looking at story telling. Rather than feed a reader details about the setting, backstory about the characters, and other such incidentals, he cuts right to the chase. It is an effective approach, drawing the reader into the world he creates, albeit at the expense of opportunities to flesh that world out.