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Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew we needed.
Zack Snyder’s version of Justice League feels like too much of a good thing. He has creative control here, but its execution is this fan devoted emptiness with no real destination in mind. The superhero film is a slow three hour slog to its final fourth hour where all of its best and most entertaining action sequences lie.
Disney’s latest film, Raya and the Last Dragon, is rich in tradition and intriguing folklore, but mediocre in its execution.
Rose Glass’ Saint Maud delivers a psychologically satisfying and creepy cinematic experience centered on religion and death.
Does Earwig and the Witch, Studio Ghibli’s first foray into CGI film making, capture the studio’s signature magic?
From Steven Kostanski, writer and director of Manborg, The Void, and the incredible 5-minute short Bio-Cop, Psycho Goreman (also known as PG: Psycho Goreman) is this joyous blend of absurdly bloody horror, awesome makeup effects, and laugh out loud humor.
Soul is Pixar’s latest film, but are the jazz-fueled afterlife escapades of Joe Gardener worth the price of Disney Plus admission?
Freaky, created by Happy Death Day’s Christopher Landon and starring Vince Vaughn, presents a horror-themed spin on the Freaky Friday story
Come Play is the toothless wild animal of this year’s horror films. It may be able to lurk around in the dark and reach out in an effort to scare off its prey, but deep down it’s a shadow of its former self.
Despite a young girl disappearing and a main character having cancer, Synchronic has no emotional value whatsoever.